Temple Of Devrani Jethani At Tala, Bilaspur, Chhattisgarh

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Names Tala and Malhar make you think of places with some musical legacy but here lies the architectural heritage of the Chhattisgarh region. This particular place around the meeting point of the Maniyari and Shivnath rivers seems to be dominated by the Shaivites. Though the region as a whole is dominated by the legends of Ramayana. We were told that Tala, in particular, is known for Tantric practices. Here are two temples of Devrani Jethani.

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Devrani Jethani temple complex, Bilaspur
Devrani Jethani temple complex, Bilaspur

Temple of Devrani Jethani, Bilaspur

Ruins at Devrani Jethani temple complex
Ruins at the temple complex

There are remains of two ancient temples here. Both lie at a distance of a few meters from each other and are popularly known as Devrani Jethani temples. Legend is that they were built for the wives of two royal brothers.

Jethani Temple

The Jethani or the Elder sister-in-law temple has completely fallen. Stones that would have stood as the temple once are now piled upon one another with their carvings peeping out at various angles. You can see the elephants that would have been at the entrance. You can see the carved pillars that would have supported the ceiling. And you can see the ceiling itself has fallen to the gravity.

Carved gateway at the temple complex
Carved gateway at the temple complex

Devrani Temple

Devrani or the temple of the younger sister-in-law, the temple has the base platform intact along with stairs that lead to the main shrine. The doorjamb has survived the vestiges of times as if standing there to give you a glimpse of how the temple would have been. It has intricate carvings all around it. The thick walls have extensively carved lion faces and human figures, probably telling some stories or depicting some scenes. Its corners are carved as braids made of rosettes in different patterns. And there are straight panels with lotus rosettes.

There is Amalaka on top of the pillars and Puran Ghatak at its base. The top panel has celestial figures and the panel below has figures that probably belonged to the deities but are unrecognizable as of now.

There are panels showing dancing men with disproportionately short legs as is the Ganesha figure lying outside the temple. Most of the stones here have been randomly put together and you cannot be sure if they all belonged to the same temple. The temple plan seems to be such that with every step you go higher, placing the Garbh-Griha or the Sanctum Sanctorum at the highest point. It is difficult to guess from the remains the kind of Shikhara or superstructures the temples would have had. But from the location – between Orissa and Khajuraho it can be inferred that it must be in Nagar style.

Sage sculpture at the museum of the temple complex
Sage sculpture at the Museum of the temple complex

Shri Siddhnath Ashram

To reach these temples, you have to go through a set of relatively new temples. That was erected behind an arch telling the name of the place as Shri Siddhnath Ashram, built as late as 2008. There are newer temples with typical white triangular Shikharas standing by the side of these ancient temples. A small makeshift museum houses a few excavated sculptures from the place. Broken sculptures have been completed using mismatched cement. Conservation agencies can definitely do a better job.

There is no documentation whatsoever on these sculptures. Even the boards explaining the temples need to be re-painted. And for tourists from outside the state, it may help if they are written in English as well.

These temples are supposed to be located on the banks of River Maniyari. But I think I missed the river, or it was not close enough to be noticed.

Recommend you to read the following Tourist Places in Chhattisgarh.

Legends & Myths of Achanakmar Wildlife Sanctuary

Unique Rudra Shiva of Tala

Ektaal – A Craft village of Chhattisgarh

Prehistoric Cave Paintings in Chhattisgarh

Thinthini Pathar of Chhattisgarh

5 COMMENTS

  1. Today, after a long time, I have got space and time and am scouting around your blog. Sadly, reading this has made me feel, we Indians treasure not our past at all, nor our present, so why will we the future. I feel the temple culture tho’ obnoxious to my taste, is still better, because of the parampara of the pujari and deity worship. Look at Chidambaram, with i have just finished reading, the temple stands as good as ever, because it is believed Nataraja Shiva lives there/or is worshiped there.

  2. You were there before the shelter/roof was added. So was I, in 1995. Your photos are excellent, mine taken at TALA are being used without attribution, very annoying.

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